(Q1206)

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Unknown. Possibly to be identified with purchase from Phillip Pirages, November 1987. From the collection of Karen Keel Gould (1946-2012) Gift of Lewis Gould to the Nelson-Atkins Museum of Art in 2012 in his wife's memory.
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Binding: Not bound.
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Other decoration, One leaf: Two 2-line initials. Recto, gold on red and white with blue and white infilling; verso, gold on blue and white with red and white infilling; one line initial; yellow wash strokes through capital letters (including antiphons). Modern foliation upper right Recto 126.
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Script, One leaf: Textura Rotunda.
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Layout, One leaf: Text block 101 x 72mm. 15 lines. 1 column. 2 script sizes. Verso 2 for Prime and Terce.
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One leaf: Collects, antiphons, and versicles from the Horae de conceptione beate marie virginis the feast of the Immaculate Conception. Note: The feast of the Immaculate Conception had its origin in the rites of the eastern church, and was brought to western Europe from the Greek communities in Sicily in the 9th century. In England it was perhaps known before the Norman Conquest (1066); The...
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One leaf: Collects, antiphons, and versicles from the Horae de conceptione beate marie virginis the feast of the Immaculate Conception.
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Incipit, One leaf: -raculis et laudibus honorata V. In.
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Explicit, One leaf: Deus qui pro salute humani generis.
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We are grateful to Brother Thomas Sullivan, O.S.B., for providing the identification of the text, and to Patricia Deery Kurtz and Linda Ehrsam Voigts for the physical description.
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22 June 2023
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22 June 2023
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