Antiphonary, diurnal (Ambrosian Rite) (DS4377) (Q20631): Difference between revisions
Jump to navigation
Jump to search
DigScrAdmin (talk | contribs) (Created a new Item) |
(Created claim: IIIF manifest (P41): https://iiif.archive.org/iiif/lewis_e_010/manifest.json, #quickstatements; #temporary_batch_1702318001035) |
||
| Property / IIIF manifest | |||
| Property / IIIF manifest: https://iiif.archive.org/iiif/lewis_e_010/manifest.json / rank | |||
Normal rank | |||
Revision as of 18:07, 11 December 2023
Manuscript metadata collected by Digital Scriptorium from Free Library of Philadelphia (Lewis E 10, Lewis E 10)
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Antiphonary, diurnal (Ambrosian Rite) (DS4377) |
Manuscript metadata collected by Digital Scriptorium from Free Library of Philadelphia (Lewis E 10, Lewis E 10) |
Statements
Follower of Birago, Giovan Pietro, active 1471-1513 and Master B. F. (sometimes identified as Francisco Binasco)
0 references
Master B. F., active 1486-1545
0 references
Monastero di S. Ambrogio (Milan, Italy)
0 references
Perkins, Oliver Henry, -1912
0 references
Lewis, John Frederick, 1860-1932
0 references
Lewis, Anne Baker
0 references
1500-1515
16. century
1500Gregorian
1515Gregorian
0 references
Extent: i+220+i; 578 x 405 mm bound to 594 x 436 mm; mixed
0 references
Extensive evidence of damage and repairs to parchment
0 references
Some text erased and/or rewritten
0 references
Additional musical notation on fol. 112v, in a later hand
0 references
Marginal annotations in various later hands
0 references
Two scribes: one hand executed bulk of manuscript; scribe two responsible for fols. 216v-220v
0 references
Last gathering of four folios is paper attached by strips of parchment, some with musical notation (fols. 217-220)
0 references
Binding: Italian; early seventeenth-century blind stamped red morocco over pasteboard; stamped in gold on the spine: "LIBRO CORALE DEL CANTO AMBROSIANO"
0 references
Layout: One column of thirty-sixlines; square and lozenge-shaped musical notation on six five-line staves in red, black, and yellow ink (fols. 217-220: square musical notation on four-line red staves); hard point ruled; written area: 404 x 280 mm
0 references
Script: Gothic--rotunda
0 references
Decoration: One large historiated initial with full foliate border; twenty historiated initials with foliate extensions; one marginal figure; four illuminated initials; two excised initials repaired with vellum patch; numerous decorated initials in red, blue, and black ink with pen-work decoration
0 references
Related resource: De Ricci, Seymour de, with the assistance of W. J. Wilson, Census of Medieval and Renaissance Manuscripts in the United States and Canada, vol. 2 (New York,: H. W. Wilson, 1935-40), p. 2032, no. 44.
0 references
Related resource: Free Library of Philadelphia, A Descriptive Catalogue of the John Frederick Lewis Collection of European Manuscripts in the Free Library of Philadelphia, compiled by Edwin Wolf, 2nd, with an introduction by Dr. A.S.W. Rosenbach (Philadelphia: The Library, 1937), pp. 10-14, no. 10.
0 references
Related resource: Philadelphia Museum of Art, Leaves of Gold: Manuscript Illumination from Philadelphia Collections, edited by James R. Tanis (Philadelphia: Philadelphia Museum of Art, 2001), pp. 177-178, no. 61
0 references
Provenance: Monastery of Sant' Ambrogio Maggiore, Milan (sixteenth century; coat of arms on fol. 1r); Henry White, London (nineteenth century); Sotheby's sale (London, 21 April 1902) lot 47; Symes; Oliver Henry Perkins, Des Moines (his bookplate inside front cover); Anderson Galleries sale (New York, 23-24 March 1926) lot 537; John Frederick Lewis, Philadelphia; gift of Anne Baker Lewis to the...
0 references
Contributor: Diane Biunno
0 references
Cataloger: Amey Hutchins
0 references
Cataloger: Oliver Mitchell
0 references
Funder: Council on Library and Information Resources
0 references
4 December 2023
0 references
4 December 2023
0 references