Antiphonary, diurnal (Ambrosian Rite) (DS4377) (Q20631): Difference between revisions

From DS 2.0 Catalog
Jump to navigation Jump to search
(‎Created a new Item)
 
(‎Created claim: dated (P26): Non-dated (Q15), #quickstatements; #temporary_batch_1710791529583)
 
(One intermediate revision by the same user not shown)
Property / IIIF manifest
 
Property / IIIF manifest: https://iiif.archive.org/iiif/lewis_e_010/manifest.json / rank
 
Normal rank
Property / dated
 
Property / dated: Non-dated / rank
 
Normal rank

Latest revision as of 21:41, 18 March 2024

Manuscript metadata collected by Digital Scriptorium from Free Library of Philadelphia (Lewis E 10, Lewis E 10)
Language Label Description Also known as
English
Antiphonary, diurnal (Ambrosian Rite) (DS4377)
Manuscript metadata collected by Digital Scriptorium from Free Library of Philadelphia (Lewis E 10, Lewis E 10)

    Statements

    Antiphonary, diurnal (Ambrosian Rite)
    0 references
    Follower of Birago, Giovan Pietro, active 1471-1513 and Master B. F. (sometimes identified as Francisco Binasco)
    0 references
    0 references
    0 references
    0 references
    0 references
    Extent: i+220+i; 578 x 405 mm bound to 594 x 436 mm; mixed
    0 references
    Extensive evidence of damage and repairs to parchment
    0 references
    Some text erased and/or rewritten
    0 references
    Additional musical notation on fol. 112v, in a later hand
    0 references
    Marginal annotations in various later hands
    0 references
    Two scribes: one hand executed bulk of manuscript; scribe two responsible for fols. 216v-220v
    0 references
    Last gathering of four folios is paper attached by strips of parchment, some with musical notation (fols. 217-220)
    0 references
    Binding: Italian; early seventeenth-century blind stamped red morocco over pasteboard; stamped in gold on the spine: "LIBRO CORALE DEL CANTO AMBROSIANO"
    0 references
    Layout: One column of thirty-sixlines; square and lozenge-shaped musical notation on six five-line staves in red, black, and yellow ink (fols. 217-220: square musical notation on four-line red staves); hard point ruled; written area: 404 x 280 mm
    0 references
    Script: Gothic--rotunda
    0 references
    Decoration: One large historiated initial with full foliate border; twenty historiated initials with foliate extensions; one marginal figure; four illuminated initials; two excised initials repaired with vellum patch; numerous decorated initials in red, blue, and black ink with pen-work decoration
    0 references
    Related resource: De Ricci, Seymour de, with the assistance of W. J. Wilson, Census of Medieval and Renaissance Manuscripts in the United States and Canada, vol. 2 (New York,: H. W. Wilson, 1935-40), p. 2032, no. 44.
    0 references
    Related resource: Free Library of Philadelphia, A Descriptive Catalogue of the John Frederick Lewis Collection of European Manuscripts in the Free Library of Philadelphia, compiled by Edwin Wolf, 2nd, with an introduction by Dr. A.S.W. Rosenbach (Philadelphia: The Library, 1937), pp. 10-14, no. 10.
    0 references
    Related resource: Philadelphia Museum of Art, Leaves of Gold: Manuscript Illumination from Philadelphia Collections, edited by James R. Tanis (Philadelphia: Philadelphia Museum of Art, 2001), pp. 177-178, no. 61
    0 references
    Provenance: Monastery of Sant' Ambrogio Maggiore, Milan (sixteenth century; coat of arms on fol. 1r); Henry White, London (nineteenth century); Sotheby's sale (London, 21 April 1902) lot 47; Symes; Oliver Henry Perkins, Des Moines (his bookplate inside front cover); Anderson Galleries sale (New York, 23-24 March 1926) lot 537; John Frederick Lewis, Philadelphia; gift of Anne Baker Lewis to the...
    0 references
    Contributor: Diane Biunno
    0 references
    Cataloger: Amey Hutchins
    0 references
    Cataloger: Oliver Mitchell
    0 references
    Funder: Council on Library and Information Resources
    0 references
    4 December 2023
    0 references
    4 December 2023
    0 references
    0 references