(Q23175)

Revision as of 20:43, 18 March 2024 by Lpc (talk | contribs) (‎Created claim: dated (P26): Non-dated (Q15), #quickstatements; #temporary_batch_1710791529583)
(diff) ← Older revision | Latest revision (diff) | Newer revision → (diff)

Statements

0 references
0 references
Extent: 70 x 71 mm; parchment
0 references
Initial I with unidentified virgin
0 references
The iconography of this initial and a rubric on the reverse suggest that it begins an unidentified chant for the Common of Virgins.
0 references
This image shows the reverse of a cutting with an historiated initial from an antiphonary.
0 references
Initial Q with St. Agatha of Catania
0 references
This initial begins the first antiphon of Lauds for the feast of St. Agatha (Feb. 5), 'Quis es tu qui venisti ad me curare vulnera mea ...' (Who are you who has come to heal my wounds).
0 references
This image shows the reverse of a cutting with an historiated initial from an antiphonary.
0 references
Initial P with Sts. Peter and Paul
0 references
This initial begins the first antiphon of Lauds for the feast of Sts. Peter and Paul (June 29), 'Petrus et Ioannes ascendebant in templum ...' (Peter and John were going up into the temple).
0 references
This image shows the reverse of a cutting with an historiated initial from an antiphonary.
0 references
Initial D with St. Helena of Constantinople holding the True Cross
0 references
This initial begins the first antiphon of Lauds for the feast of the Invention of the True Cross (May 3), 'Helena sancta Constantini mater Jerosolymam petiit...' (Helen, the holy mother of Constantine, went to Jerusalem). The saint pictured here is St. Helena, the mother of the first Christian Roman emperor Constantine (d. 337). According legend, Helena discovered the cross upon which Christ...
0 references
This image shows the reverse of a cutting with an historiated initial from an antiphonary.
0 references
Initial O with an unidentified Pope
0 references
The precise moment in the liturgy that this initial begins remains to be determined. The three-tiered tiara and cross staff indicated that this figure is a pope.
0 references
This image shows the reverse of a cutting with an historiated initial from an antiphonary.
0 references
Initial I with Mary Magdalene
0 references
This initial may begin the first antiphon of Lauds for the feast of Mary Magadalene (July 22), 'Laudibus excelsis omnis mundus exsultet in solemnitate sancte Marie Magdalene ...' (Let the world exalt with all the highest praises in the solemnity of Mary Magdalene). Mary Magdalene is identified here by the alabaster jar from which she took the ointment to anoint Christ's body.
0 references
This image shows the reverse of a cutting with an historiated initial from an antiphonary.
0 references
Initial C with the Virgin Mary borne by angels
0 references
This image shows the reverse of a cutting with an historiated initial from an antiphonary.
0 references
Initial D with Sts. James the Less and Philip
0 references
This initial begins the first antiphon of Lauds for the feast of Sts. Phillip and James, 'Domine ostende nobis Patrem, et sufficit nobis alleluia ...' (Lord, show us the Falther and it is enough for us, alleluia).
0 references
This image shows the reverse of a cutting with an historiated initial from an antiphonary.
0 references
Initial H with John the Baptist
0 references
This initial probably begins the first antiphon of Lauds for the feast of the Beheading of John the Baptist (Aug. 29), 'Herodes enim tenuit et ligavit Iohannem ...' (Herod had taken John and bound him).
0 references
This image shows the reverse of a cutting with an historiated initial from an antiphonary.
0 references
The style of the initials is reminiscent of Italian initial decoration, especially in the northern regions. Certain elements in the execution of the initial suggest, however, that the artist was not Italian but perhaps Spanish or Portuguese. Artists and scribes in the Iberian Peninsula were heavily influenced by the luxury choir books that came out of Italy in the late Middle Ages and...
0 references
Contributor: David Kalish
0 references
Cataloger: Dot Porter
0 references
Funder: Council on Library and Information Resources
0 references
4 December 2023
0 references
4 December 2023
0 references
0 references