(Q49697)

Statements

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Extent: fols. 1; membrane; 179 x 123 (125 x 72)
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Layout: 1 column, 14 lines
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Decoration: 1 4-line initial “K” in blue with white highlights infilled with pink vines sprouting into a trio of ivy leaves in blue, orange, and white, all on a field of burnished gold, with a long shaft in burnished gold with pink and white accompanying bar extending the length of the left margin into the lower margin where the shaft terminates in sprays of red and gold ivy leaves
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Decoration: and with black vine work sprouting from the shaft and terminating in gold ivy leaves flanked by a small white gold ball with a black ink flourish
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Decoration: 12 1-line initials in burnished gold, 8 of them on red grounds with blue accents, the remaining 4 on blue grounds with red accents, all highlighted with delicate white penwork
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Decoration: delicate vines terminating in small red and blue leaves with white penwork extending from initials in the left, upper, and lower margins
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Decoration: 8 horizontal line fillers in blue and pink with white penwork accents and gold bezants
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Ruled in brown ink
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Provenance: Formerly the property of Otto Ege, Cleveland, OH. Ege broke this manuscript and distributed 40 of its folios as part of his portfolio set, Fifty Original Leaves. See Scott Gwara, Otto Ege’s Manuscripts, HL 25
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Conclusion of the Seven Penitential Psalms and the opening of the Litany
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Incipit: disperdes inimicos meos . Et perdes omnes qui tribulant animam meam
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Explicit: Sancte Paule or.
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26 August 2024
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26 August 2024
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