Book of Hours, use of Paris (DS6337) (Q26511)

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Manuscript metadata collected by Digital Scriptorium from Free Library of Philadelphia (Widener 5, Widener 5)
Language Label Description Also known as
English
Book of Hours, use of Paris (DS6337)
Manuscript metadata collected by Digital Scriptorium from Free Library of Philadelphia (Widener 5, Widener 5)

    Statements

    Book of Hours, use of Paris
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    Latin; Middle French (ca. 1400-1600)
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    Extent: iv+187+iv; 193 x 141 mm bound to 200 x 150 mm; parchment
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    Calendar and prayers on fols. 240r-248v in French
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    Binding: Red velvet over pasteboard, gilt edges, circa 1900
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    Layout: One column of fifteen lines, frame-ruled in red ink; written area: 110 x 68 mm
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    Script: Gothic--textualis semi-quadrata
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    Decoration: Seven full-page miniatures (fols. 13v, 19v, 24v, 37v, 46r, 52v, 65v) by Willem Vrelant, a Flemish artist from Bruges, and dated to circa 1470 have been inserted into the book, probably at a later date; fourteen large miniatures with foliate borders at each major section of text original to the manuscript by an anonymous artist; small decorated initials, line fillers, and vertical...
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    Related resource: Ricci, Seymour de, with the assistance of W. J. Wilson, Census of Medieval and Renaissance Manuscripts in the United States and Canada, vol. 2 (New York,: H. W. Wilson, 1935-40), p. 2116, n. 5.
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    Related resource: Plummer, John, and Gregory Clark, The Last Flowering: French Painting in Manuscripts, 1420-1530, from American Collections, exh. cat. (New York: The Pierpont Morgan Library; London: Oxford University Press, 1982), p. 18
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    Related resource: Philadelphia Museum of Art, Leaves of Gold: Manuscript Illumination from Philadelphia Collections, edited by James R. Tanis (Philadelphia: Philadelphia Museum of Art, 2001), pp. 81-83, no. 20
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    Related resource: König, Eberhard, Les Belles Heures du Duc de Berry: Begleitband zur Faksimile-Edition (Lucerne: Faksimile Verlag, 2003), pp. 53, 60, and fig. 21.
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    Related resource: Dückers, Rob, and Pieter Roelofs, The Limbourg Brothers: Nijmegen Masters at the French Court, 1400-1416 (Nijmegen: Ludion, 2005), pp. 392-393, cat. no. 112 (entrey by Gregory T. Clark).
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    Related resource: Husband, Timothy. The Art of Illumination: The Limbourg Brothers and the Belles Heures of Jean De France, Duc De Berry (New York: Metropolitan Museum of Art, 2008), p. 323, n. 9.
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    Related resource: Delmira Espada, "A luz da grisalha. Arte, Liturgia e História no Livro de Horas dito de D. Leonor – Il165 da BNP," Medievalista [Online], 10 | 2011
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    Related resource: Cecere, Marianna, Newberry Library MS 53: Unlocking the Secrets of a Late Medieval Book of Hours (2017). Theses and Dissertations, p. 1592.
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    Related resource: Lexicon van Boekverlutchers
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    Related resource: TELMA-Luxury Bound: A corpus of manuscripts illustrated in the Netherlands (1400-1550)
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    Provenance: Morot family, parish of Notre Dame de la Dehour (?), circa 1648-60 (family notes on fol. 187r-v); A. S. W. Rosenbach, Philadelphia; P. A. B. Widener, Philadelphia, October 19, 1910; Joseph E. Widener, Philadelphia, 1915; given by his children, Josephine Widener Wichfeld and Peter A. B. Widener, to the Free Library of Philadelphia in 1944, in memory of their father
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    Contributor: Diane Biunno
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    Cataloger: Amey Hutchins
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    Cataloger: Judith Weston
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    Cataloger: Nicholas Herman
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    Funder: Council on Library and Information Resources
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    5 December 2023
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    5 December 2023
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